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MORE PRINTS, PHOTOGRAPHS, & MAPS WILL BE ADDED AS TIME PERMITS

 

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    MINIATURE MAP OF ANTARCTICA BY JOHN SELLER

[MAP – SOUTH POLE]. Seller, J. A Mapp of the South Pole. 11.8 x 14.4 cm. [approx. 4⅝ x 5⅝ inches] plus blank borders. Copper engraving. Original outline color. Rubber stamp on blank verso. A fine copy. (London: John Seller, c.1685).  $1,500.
              A miniature of the Hondius map of Antarctica of 1640 with the same engraved corner vignettes. It appeared in Atlas Maritimus or a Sea Atlas. The map is circular within a square frame showing the southern parts of South America (noting Chili, Patagonia and Paraguay) and Africa and Madagascar, and the West and South coasts of Australia (New Holland), as well as New Zealand and Van Diemen’s Land (Tasmania). A Polar continent, labeled Terra Australis Incognita, is delineated partly by hand-colored island chains and partly by hand-colored line. The corners of the square frame are completely filled in with vignettes of native scenes including a representation of a penguin. The very center of the map is designated, Polus Antarcticus.

 

    MAGNIFICENT BIRD’S-EYE-VIEW OF HELENA, MONTANA

[HELENA, MONTANA]. “Perspective Map of the City of Helena, Mont. Capital of State, County Seat of Lewis & Clark Co. 1890.” Original bird’s-eye-view two-stone lithograph. 26¼ x 39½ inches. Framed and glazed. A very fine example. Milwaukee: American Publishing Co., 1890.     $3,750.
             A large and magnificent two-stone lithograph of Helena, Montana with streets named and all the buildings shown in perspective. Printed in black and shades of gray. There are seventeen inset views of outlying subdivisions, and specific buildings including the East Side additions of Lenox and Corbin, the Northern Pacific Railroad repair shops and round house, the Wallace-Thornburgh Lumber Company, the Helena Daily Journal and other newspapers, the Broadwater Hotel and Natatorium, various banks, manufacturing plants, the residence of W.E. Cox, Nick Kessler’s brewery, etc. At the bottom center under the title of the image: “Compliments of Kessler’s Brewery, Nicholas Kessler, Proprietor, Helena – Montana.” [Reps, Views and Viewmakers of Urban
America: 2090].

 

    FIRST PRINTED MAP OF JAPAN TO APPEAR IN A WESTERN ATLAS

[MAP – Japan]. Ortelius, Abraham. Japoniae Insulae Descriptio Ludoico Teisera auctore. Plate size: 35.7 x 48.7 cm. (approx. 14 x 19 inches). Ample margins. Original full coloring in pink, yellow, green, and blue. Two ornate cartouches; three sailing ships, stipple-engraved seas. A very fine and strong impression. (Antwerp, 1598).     $4,250.
              First state of this important map, from the French edition of 1598. This map, drawn by the Portuguese Jesuit Luiz Teixeira (based on unknown sources), was the first printed map of Japan to appear in a western atlas. It shows all of Japan, part of Korea and part of China. A statement in the upper right corner reads, “Cum Imperatorio, Regio, et Brabantiæ privilegio decennali. 1595,” which gave the Royal and Brabant privilege for ten years, beginning in 1595. This map is considered a milestone in the cartography of Japan and is surprisingly accurate as far as the Japanese islands are concerned. It retained its influence until more than fifty years later when a new milestone map appeared, the Martini map of 1655.

 

    RARE CIVIL WAR PHOTOGRAPH         Verso of mount

BRADY, M.B. and Alexander Gardner. Camp Scene on the Pamunky River, 1862. Original albumen photograph. 6 x 8½ inches. Mounted on publisher’s stiff imprinted card stock measuring 9 x 11 inches. Good contrast. Mount lightly soiled, a few tiny spots or very light surface scratches to image. A near fine copy. Hartford, Conn.: Taylor & Huntington, (c.1890).   $500.
              This photograph was taken from the original glass negative. The camps of the Army of the Potomac covered many square miles. This image shows a picturesque view of a camp at Cumberland Landing, on the Pamunky River, Virginia, in May, 1862. Numerous wagons and horses are shown in the foreground with hundreds of tents in the background, presumably on the opposite side of the river. In 1879, the co-publisher, John C. Taylor, purchased a vast collection of Mathew Brady glass negatives from Colonel Arnold A. Rand and General Albert Ordway. Taylor (firm of Taylor & Huntington) published lantern slides and stereo views during the 1880’ and early 1890’s. Around 1890, Taylor & Huntington issued a catalogue of thousands of images for sale at 75 cents each. As offered here, the albumen photographs were printed from the original glass negatives and mounted on stiff imprinted card stock with a decorative red border surrounding the image. Most of the images had the title printed on the face of the mount, directly under the image. Very scarce.

 

    RARE CIVIL WAR PHOTOGRAPH         Verso of mount

BRADY, M.B. and Alexander Gardner. Grape-vine Bridge on the Chicahominy, June 18, 1862. Original albumen photograph. 6½ x 9 inches. Mounted on publisher’s stiff imprinted card stock measuring 9 x 11 inches. Good contrast. Mount lightly soiled, lower corners of mount slightly jammed. Overall, a fine copy. Hartford, Conn.: Taylor & Huntington, (c.1890).   SOLD.
              This photograph is quite rare as it was produced from the original glass negative that was broken. The original glass negative was apparently “touched-up” to hide a serious crack in the glass. Most reproductions of this image in books show the badly cracked glass negative. Actual prints from that negative are rarely offered. The image shows Federal engineers constructing a bridge across the Chickahominy River. Logs had been placed over a bed of stones and underbrush. The image shows the last phase of construction in which numerous men are packing the gaps tight with dirt to form a hard, smooth surface. Two supply wagons are shown. The verso of the mount lists a few hundred images and their catalogue number. Very scarce!

 

     HAND-COLORED PHOTOGRAPH  OF THE PANAMA-PACIFIC INTERNATIONAL EXPOSITION

[SAN FRANCISCO]. Original Hand-Colored Panoramic Photograph. 4 x 8¼ inches. Photographer not identified. A fine copy. (San Francisco: 1915).     SOLD.
             
A lovely panoramic view of the Exposition's grounds showing the various buildings and San Francisco Bay in the background. The famous Tower of Jewels is shown at center-right; the dome of the Palace of Fine Arts to the left. The Panama-Pacific International Exposition was held on San Francisco's bayside Marina (Feb. 4-Dec. 4, 1915) to celebrate the opening of the Panama Canal (July, 1915) and to show the world that in less than a decade the city had recovered from the devastation of its earthquake and fire in 1906. Over 19,000,000 persons visited the buildings, which were constructed in a kind of Spanish and Italian baroque style. The most famous examples were the central Tower of Jewels and the Palace of Fine Arts, the latter designed by Maybeck.

 

     RARE PHOTOGRAPHIC POSTCARD          verso of postcard

[POSTCARD]. “Indian Bark House – Practising [sic] Shooting. Copyright 1909 by Martin Post Card Co.” Actual photograph. 3½ x 5½ inches. Divided back. Title and copyright notice within image. A very fine copy. (Kansas City): Martin Post Card Co., 1909.     $75.
              The photographer that produced this card was William H. “Dad” Martin who did most of his work between the years 1894 and 1910. The printed card (not the photograph) was produced by “The North American Post Card Co.” in Kansas City (printed on verso). The photograph shows a large Native American bark house in the background with a few women and children sitting or standing at the entrance. In the foreground is a male “practicing” with his bow and arrows, with the bow cocked and the arrow pointed directly at the photographer! As noted above, this card shows a copyright date of 1909. The printed design of the verso of the card dates from July 16, 1909. [Bogdan and Weseloh, Real Photo Postcard Guide: p.222, “Azo 5”].

 

     RARE PHOTOGRAPHIC POSTCARD          verso of postcard

[POSTCARD]. “Indian Chief and Family. Copyright 1909 by W. H. Martin.” Actual photograph. 5½ x 3½ inches. Divided back. Title and copyright notice within image. A very fine copy. (Kansas City: Martin Post Card Co.), 1909.   $75.
              The photographer that produced this card was William H. “Dad” Martin who did most of his work between the years 1894 and 1910. The printed card (not the photograph) was produced by “The North American Post Card Co.” in Kansas City (printed on verso). The photograph shows a close-up of the “Indian Chief” standing, looking down at his seated wife and their bundled infant. In the background is a large tent-like structure. The printed design of the verso of the card dates from July 16, 1909. [Bogdan and Weseloh, Real Photo Postcard Guide: p.222, “Azo 5”].

 

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Date last modified 07-11-2008